Performance
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XXVIII LBF / SUPERNOVA
Company:
Teatr Wielki w Łodzi
Ballet
Choreography:
Jacek Przybyłowicz, Sharon Eyal and Gai Behar
Date of the premiere:
11.04.2026
Duration:
1,5 h (1 intermission)
Producers:
ECHOES
:
:
choreography, set design:
Jacek Przybyłowicz
composer:
Adam Walicki
lighting:
Maciej Igielski
instrumental performance:
Adam Walicki
choreographer’s assistant:
Anna Krzyśków
stage manager:
Mariusz Caban
world premiere:
April 11, 2026, Grand Theatre in Łódź
:
BEDROOM FOLK
:
:
choreography:
Sharon Eyal, Gai Behar
choreographers’ assistant:
Dominic Santia
music:
Ori Lichtik
lighting designer:
Thierry Dreyfus
costumes:
Rebecca Hytting
ballet company rehearsal assistants:
Beata Brożek-Grabarczyk, Anna Krzyśków
assistant lighting designer:
Alon Cohen
stage manager:
Mariusz Caban
premiere:
April 16, 2015, Nederlands Dans Theater
:
poster credits:
concept by Jacek Przybyłowicz, photo by Joanna Miklaszewska, graphic design by Iwona Marchewka
“Supernova” is a ballet diptych created by outstanding figures of contemporary choreography—Sharon Eyal and Gai Behar, as well as Jacek Przybyłowicz—developed for the Łódź ballet company.
When we ask AI what a supernova is, we receive a paradoxical answer: it is not the birth of a new star, but above all a process that begins with the death of a planetary structure, giving rise to a new form of existence.
Is this really the case? It is difficult to imagine from an earthly perspective. Yet the time we live in bears the marks of twilight in a broader sense—the end of old pacts and social agreements, the end of the status quo in which we once found a relative sense of historical security.
“Echoes” balances between reality and the past, highlighted by Adam Walicki’s music, which blends new sounds with echoes of the past, choreographically unified by Jacek Przybyłowicz.
“Bedroom Folk” by Sharon Eyal and Gai Behar, forming the second part of the evening, is—within the dramaturgical context—an emanation of the society to come. Or perhaps a retro-futuristic vision of a super-civilization. We do not seek definitive answers to these questions; instead, we leave them open to the audience of “Supernova.”
When we ask AI what a supernova is, we receive a paradoxical answer: it is not the birth of a new star, but above all a process that begins with the death of a planetary structure, giving rise to a new form of existence.
Is this really the case? It is difficult to imagine from an earthly perspective. Yet the time we live in bears the marks of twilight in a broader sense—the end of old pacts and social agreements, the end of the status quo in which we once found a relative sense of historical security.
“Echoes” balances between reality and the past, highlighted by Adam Walicki’s music, which blends new sounds with echoes of the past, choreographically unified by Jacek Przybyłowicz.
“Bedroom Folk” by Sharon Eyal and Gai Behar, forming the second part of the evening, is—within the dramaturgical context—an emanation of the society to come. Or perhaps a retro-futuristic vision of a super-civilization. We do not seek definitive answers to these questions; instead, we leave them open to the audience of “Supernova.”
ECHOES:
Monika Maciejewska-Potocka, Kata Bán, Karolina Urbaniak, Isotta Sellari, Claudie Lacquemanne, Stanislava Pinčeková, Maria Góralczyk, Nicole Garcia Parry, Oleksii Balitskyi, Koki Tachibana, Giuseppe Stancanelli, Dominik Senator, Joshua Legge, Ágoston Bárány, Nathan Claridge, Nazar Botsiy, Emanuele Bernardi
Live electroacoustic music performed by the composer.
BEDROOM FOLK:
Nicole Garcia Parry, Izabella Grzybek, Sakurako Onodera, Maria Góralczyk, Claudie Lacquemanne, Isotta Sellari, Gabriela Ignaszak, Nathan Claridge, Emanuele Bernardi, Ágoston Bárány, Giuseppe Stancanelli, Samuel Ruiz Cerezo, Joshua Legge, Piotr Promiński
Music from a recording.
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